Ph.D., Program in Visual Studies, University of California, Irvine, September 2011
Dissertation: “Crafted Abstraction: Three Nisei Artists and the American Studio Craft Movement: Ruth Asawa, Kay Sekimachi, and Toshiko Takaezu.”
M.A. Art History, San Francisco State University, May 2005
Thesis: “Displacing Gaze: Roger Shimomura’s Campfire Diary.”
B.A. History/Art History, University of California, Los Angeles, June 2002
Hauseur, Krystal R. “The Crafted Abstraction of Ruth Asawa, Kay Sekimachi, and Toshiko Takaezu.” Transitional Generations: American Women Artists, 1935-1965. Ashgate, Forthcoming 2015
Hauseur, Krystal R. and Julianne Gavino, “Visual Art” In Asian American Society: An Encyclopedia.” Sage, Forthcoming 2015.
Hauseur, Krystal R. “Wendy Maruyama’s The Tag Project/Executive Order 9066.” Footprints (March 2012).
Hauseur, Krystal Reiko. “Introduction: Import/Export.” Octopus: A Visual Studies Journal 3 (Dec 2007): 7-12.
Hauseur, Krystal Reiko. “An Interview with Roger Shimomura, 15 June 2005.” In Minidoka Revisited: The Paintings of Roger Shimomura, by William W. Lee, 67-73. Seattle: The University of Washington Press, 2005.
Curator, Laura Kina and Emily Hanako Momohara’s “Sugar/Islands”, Japanese American National Museum, Forthcoming 2015
Editorial & Press, Wendy Maruyama’s “The Tag Project/Executive Order 9066″, San Diego State University, 2011-2012
Lecturer, “Asian American Art History: A Survey”, University of California, Irvine, 2009, 2010, 2011
Teaching Assistant, “Asian American Film: Sexuality and Gender,” University of California, Irvine, 2009
Teaching Assistant, “Asian American Studies: Critical Race Theory,” University of California, Irvine, 2009
Teaching Assistant, “Intro to Asian American Studies,” University of California, Irvine, 2009
Teaching Assistant, “Asian Art,” University of California, Irvine, 2006-2011
GRANTS & AWARDS
National Endowment for the Humanities, Summer Institute, “Re-envisioning Asian American Art History,” New York University
Robyn Shikiya Memorial Graduate Award in Visual Studies, School of Humanities, University of California, Irvine
James E. Webb Fellowship, Asian Pacific American Program, Franklin Odo, Advisor, Smithsonian Institution, Washington, D.C.